"Hey Man, Thanks" (Gord Downie / Tragically Hip)

Miles Davis said, “It’s not the notes you play; it’s the notes you don’t play.” This is something you hear from musicians from time to time  about the space between the notes. Artists also have a similar relationship with the power of negative space. Sometimes it’s the negative space in a piece that gives it its vibe. I’ve been conceptualizing using this practice for some time, and in this piece I was able to have much of the canvas close to empty.   Another Gord piece isn’t much of a stretch for a Canadian artist that focuses on living in a rock and roll space. This is pretty much a follow up single to my first Gord piece. In that initial piece, I wanted a fierce and intense version of the man who had vigilantly fought glioblastoma while he embarked on a cross Canada curtain call. However, for this concept I wanted to portray the other side of him. I wanted to capture that incomparable stage presence, the poetic ad libbing linguist, and the ever-complicated relationship with his microphone stand  - who couldn’t understand that it wasn’t a man.   It’s arrogant to think you can speak for a large percentage of a population, but I’m probably not far off saying that a lot of us, at one time or another since his passing, have “looked up to the lord above and said, hey man, thanks”.  

About Stickman

Trevor "Stickman" Stickel specializes in musically based portraits that capture legendary moments, powerful ideas and raw emotion. His work is described as gritty-yet-fresh, complex-yet-simple. Graduating from a Jekyll and Hyde influence early in his career in which he divided his time between family portraits and design work on helmets and Harleys - Trevor had the epiphany to combine both styles while reading "According to the Rolling Stones". Two weeks later he finished his first canvas portrait of Mick Jagger that would thrust him into a different realm of the art world an aptly titled it "Please allow me to introduce myself."

The Mission

The idea or "mission" behind my artwork was to create an artistic tribute to something (music) and to the people (musicians) that have had a tremendous impact on me and basically shaped my world. Historically these tributes have been limited to photos/posters that have adorned the bedroom walls of teenagers and dorm rooms throughout adolescence. I wanted to create a style of art that brings these iconic figures back into our life, and do so in manner that we as adults can display proudly in our homes. When planning a piece I often imagine how the finished piece would look in a contemporary living room, dining room, lounge, etc.

The Concept

In order to achieve the mission stated above as well as explore my creative and artistic side, the idea of amalgamating different artistic disciplines on the same canvas was born. The concept is to take my portrait realism and juxtapose it with a background that expresses my feeling and emotions of the subject I'm painting. This method also allows me to explore other disciplines of art - many of my backgrounds will include Abstract, Expressionism, Impressionism, Realism, Pop Art, Street Art, Surrealism and quite often a combination of these. This is where I get to enjoy the artistic side of these pieces as well as paying additional homage to some of my favorite visual artists. My work is a true collaboration of music and art where I take a very influential subject matter and combine it with inspiration from artists such as Warhol, Bansky, Basquiat and Pollock to name just a few.