"New Wine"

“New Wine” offers a richly textured toast to the world of wine and conviviality, wrapped in Gleadow’s trademark hyper-real bookshelf motif. In this captivating piece, the artist transforms the spines of wine-themed books—titles that evoke tasting rooms, vineyards, and celebratory gatherings—into a still-life composition that feels both elegant and approachable. With vivid detail and striking clarity, each “book spine” is rendered as though it might be pulled forward, its lettering crisp and its colors deep.

The arrangement suggests more than a shelf: it invites you into the ritual of sharing a glass, exploring flavors, and enjoying life’s finer moments. Ideal for a dining room, wine cellar, hospitality space, or any setting where culture and taste converge, “New Wine” blends sophistication with warmth. It captures the joy of gathering and the artistry behind every vintage—making it a dialogue piece for collectors, wine lovers, and art-enthusiasts alike.

Born in 1976, John-Mark Gleadow had already achieved gallery representation by the time he received his Bachelor of Fine Arts degree from the University of Delaware in 1999. Renowned for his skill as a draftsman and ability for creating hyper realistic oil paintings, he has gone on to garner various awards, solo shows and grants and has been met with commercial success in the numerous galleries carrying his work from coast to coast in the United States and beyond.

Early influences on the young artist were Rene Magritte, Salvador Dali and VerMeer. “I fell in love with the beauty of their imagery and have always been in awe of their amazing gift for depicting reality, or their version of it. My desire is that my abilities would be used for creating works that are beautiful and that, when viewed as a whole, convince the viewer not only that what they’re seeing is real but that there’s truth in it. For that reason I find strict photorealism a somewhat unsatisfying undertaking.”

Beginning with still lifes, John-Mark’s paintings soon came to have portraiture as their backbone. With his mastery of the medium his trademark use of vibrant colors has come to the fore – an element of his work made the more fascinating due to his having to cope with his own colorblindness. His most recent series has fused the centuries old theme of painting book spines with his love of doing figurative work and has allowed him to broaden the thematic horizons of his paintings. “The wonderful thing about working in this vain is how limitless the subject matter can be and how it makes for a logical way of juxtaposing entirely different topics, producing a work of art that’s beautiful as a whole, not just aesthetically, but thematically as well.”